DiscoveReads 2025

June 1940. As World War Two rages, Daphne Devine remains in London, performing each night as assistant to stage magician Jonty Trevelyan, aka the Grand Mystique. Then the secret service call. For, aware of Hitler's belief in the occult, the war office has set up a hidden cohort to exploit this quirk in the enemy's chain of command. Daphne and Jonty find themselves far from the glitz and glamour of the theatre, deep inside the lower levels of Wormwood Scrubs prison. Here, they join secret ranks of occultists, surrealists, and other eccentrics co-opted to the war effort. There is one goal: to avert invasion on British shores. Soon Daphne realises she must risk everything if there is any chance of saving her country.

Your happiest memory is their deadliest weapon. This is Prophet. It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want? An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past. And the deaths quickly follow.Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why. Sunil Rao seems a surprising choice of investigator.

Nik has lots of questions about his late father but knows better than to ask his mother, Avani. It's their unspoken rule. When his grandfather dies, Nik has the opportunity to learn about the man he never met. Armed with a key and new knowledge about his parents' past, Nik sets out to unlock the secrets that his mother has been holding onto his whole life. As the carefully crafted portrait Avani has painted for her son begins to crack, and painful truths emerge, can the two of them find their way back to each other? 'The Things That We Lost' is a tender exploration of family, loss and the lengths to which we go to protect the ones we love.

Paulette Wilson had always assumed she was British. She had spent most of her life in London working as a cook; she even worked in the House of Commons' canteen. How could someone who had lived in England since being a primary school pupil suddenly be classified as an illegal immigrant? It was only through Amelia Gentleman's tenacious investigative and campaigning journalism that it emerged that thousands were in Paulette's position. What united them was that they had all arrived in the UK from the Commonwealth as children in the 1950s and 1960s. In 'The Windrush Betrayal', Gentleman tells the story of the scandal and exposes deeply disturbing truths about modern Britain.

Rome 1611. A city where women are seen but not heard. Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband. As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes. Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens. In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain. But Artemisia is a survivor. And this is her story to tell.

Alice Samuel might be old and sharp-tongued, but she's no fool. Visiting her new neighbours in her Fenland village, she suspects Squire Throckmorton's household is not as God-fearing as it seems and finds the children troubled. What she cannot foresee is that all five daughters will succumb in turn to a terrifying affliction and accuse her of witchcraft - who else to blame than an ugly, black-capped woman with mysterious healing skills? The Throckmortons' maid Martha, uncomfortably aware of strange goings-on in the household herself, is reluctant to believe that Alice is a witch. Yet visiting scholars attracted by the news are convinced, evidence mounts and soon the entire village is swept up in the frenzied persecution of one of their own community.